I am a composer with a strong interest and passion for extending our pitch language by using alternate tunings, including just intonation and other ways of dividing the octave, etc.
This piece uses 17-edo, or the 17-note equal division of the octave. I was inspired by my colleague Jacob Barton's telling that he was working on a similar project: microtonal chiptune music (i.e. music inspired by 8-bit video game music)


